NEW YORK— Yeah, there are rats, service disruptions, drunken old men, drunken young women, and the pungent odor of pee, but dammit, the New York City subway runs 24/7. And I mean the whole system, not just a couple of train lines here or there. In the city that never sleeps (an oft-quoted untruth), the 24-hour bars and 24-hour diners and 24-hour pharmacies and 24-hour gyms and 24-hour Apple Store remain connected by underground rail. The late night trains that stop at each station don't convey the same warp-speed urgency of the express trains that race underneath the grid of Manhattan at ten blocks a minute, but the lower number of riders means available seats and fewer obstacles when rushing through the maze-like transfer stations.
There's also the loopier entertainment; at midnight, you not only get the drummers and the guitarists and accordion players, you get to see punchy folks getting jiggy like this in the subway:
On a bottom-lit dancefloor the size of a small hotel lobby, black-white-and-Latin b-boys, Asian ballet dancers, 40ish couples from Spanish Harlem, 50ish couples from Harlem Harlem, Korean-American salsa instructors, A&R execs, mailroom gofers, baldies, dreadheads, girls-with-girls, guys-with-guys, professional dancers, occasional two-steppers, Southerners, Northerners, foreigners, and a middle-aged woman with a cane all samba'd, salsa'd, and shook assorted and voluptuous body parts in the spirit of the way the truth the light the drum.
What might have been an underground incarnation of the nearby United Nations headquarters jammed to an intoxicating, almost religious confection of Diasporic rhythms tracing the triangle from Banjul to Buenos Aires to the Bronx and back, conjured up by musical sorcerer Nickodemus and supplemented by live percussion. As soon as mi gente's hips got used to swiveling, feet got called into glorious church-stomping candences, arms enlisted in jazzy flourishes, and heads involved in breakneck floor spins. Continuous smiles shifted from toothy and excited grins to coy, Mona Lisa-style expressions of contentment that body and beat worked in unison. Couples formed and broke apart, partners shifting among the crowd of one-time strangers who at once recognized each other as disciples of the music. There was no pretense, no posturing, no being too cute or hard or proud to nod, smile, or give a thumbs-up. Of all the people in New York, it's the house heads who embody the ideas of borderlessness, of universality, of humanity in celebration of diversity and ignorant of demographics, all the while charging and being charged by the eternally pulsing heartbeat of enchained masses ferried across the Atlantic centuries ago.
London tries, but this happens no where else but New York.
Here's a little shadow-dancing footage for those of you who couldn't make it to the event. You can't see much, but you can feel it. Sorry I couldn't film more...I was too busy gettin' my own groove on.
Today, I head up to the Frozen North: ten days in New York City (any lurkers in the area, get at me). In honor of the occasion, I'm going to share with you a song that I think speaks more to The City I usually encounter than does Jay-Z and Alicia's new cut, Madonna's homage, or even Old Blue Eyes' standard paean (though I think "Sidewalks of New York" might come close :-) Anybody know this one?
On a related note, I read recently that one should to verbalize one's dreams as a part of manifesting them into reality. That being said, I shall verbalize that, within five years, I plan to be living seven-to-eight months of each year in São Paulo and three-to-four months of each year in New York (the summer months, of course; what could be better?), with each transition bookended by a few weeks of travel. The question isn't "why?" (I mean...why not?). The question is "how?"
On an unrelated note, I came across this song in my iPod recently. If electronic music is supposed to be danceable and joy-inducing, then why does this one make me so sad? :-(
Fly Brother welcomes your views. If this post hit the spot, please comment and/or click.
Fly Brother tackles international travel in unabridged, unapologetic, full and complete color. It's also the blog name of writer and educator Ernest White II, a tall, ruggedly handsome, erudite, occasionally delusional Black American male living in Brazil's largest city.
NEW YORK—
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